Vocal effects have come a long way since the days of reverb chambers, tape delays, and the autotune explorations of Cher and T-Payne. As the effects have become more advanced and nuanced, vocal production has become a recognizable aspect of a singer’s tone, in addition to their vocal qualities. It’s hard to imagine T-Payne’s voice without the autotune (though we can hear it, and it’s … Continue reading Vocal Production for Singers: Using Layering and Effects to Shape Your Sound (Part 1) // Kelly Hoppenjans
Guest blogger Judy Rodman talks about the differences between live singing and studio singing and the ways we teachers can help our students better prepare for recording. She covers preparation, setting up the mic, using headphones, performance psychology, specific vocal techniques, and vocal health.